[. . . ] 865 Bedienungsanleitung Instructions for use Notice d`emploi Istruzioni per l`uso Instrucciones para el uso 865 S 865 6 Bedienungsanleitung. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] The 865 S variant features a silent ON/OFF switch. 11 Features Rugged metal body Extended dynamic response with pronounced presence and vocal "punch" Excellent feedback rejection Very good suppression of handling noise Very high sound pressure handling capability Delivery includes 865 microphone MZQ 800 microphone clamp Pouch Instructions for use Warranty Certificate ON/OFF switch ( 856 S only) Use the screw to lock the switch in the ON position. With the switch set in the ON position, gently turn the screw head 90° to lock the switch in position. 12 Pin assignment of XLR-3 connector + + 2 3 1 1 3 2 + + 2 3 1 XLR XLR XLR + 1 3 2 + 6, 3 mm XLR balanced symmetrisch Removing the sound inlet basket 13 ositioning the microphone Position Resulting sound High proximity effect (much bass/ fundamental) Powerful, direct sound Less proximity effect (less bass/fundamental) Some room ambience, natural, balanced sound Very little proximity effect (little bass/ fundamental) More room ambience, indirect sound Much crosstalk from other sound sources More crosstalk from other sound sources Commentary Very little crosstalk from other sound sources If sibilance or "popping" occurs, position the microphone not directly in front of the mouth but slightly to the side. In order to prevent feedback, position monitor loudspeakers so that they are located in the angle area of the highest cancellation of the microphone. In order to prevent interference due to crosstalk between adjacent sound sources, try to position the microphone so that the interfering sound source is located in the angle area of the highest cancellation of the microphone (approx. 135°; see polar diagram). 14 Polar diagram ° 30° 5 10 60° 15 20 25 90° dB 90° 60° 30° 120° 120° 150° 150° 180° 125 250 500 1000 Hz Hz Hz Hz 2000 4000 8000 16000 Hz Hz Hz Hz Frequency response curve dBv - 40 - 50 - 60 - 70 - 80 - 90 20 50 100 200 500 1000 2000 5000 10000 20000 Hz 0°, 1 m 0°, 5 cm 15 Specifications Transducer principle Frequency response Pick-up pattern Sensitivity (free field, no load at 1 kHz) Nominal impedance Min. sound pressure level at 1 kHz Phantom powering Connector Weight Dimensions pre-polarised condenser microphone 40. . . . . 20. 000 Hz super-cardioid 3 mV/Pa 200 (balanced) 100 (unbalanced) 1 k 150 dB/SPL 12­52 V / 3 mA XLR-3 311 g Ø 47 x L 193 mm 16 Overview of microphone applications Variant Application Vocals Choirs Studio, acoustic instruments Orchestra Brass / Saxophone Acoustic guitar Acoustic bass Guitar amplifiers Bass amplifiers Leslie Piano, grand piano Kick drums Snare drums Rack toms Floor toms Congas Cymbals Percussion Overheads x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x e602 e604 e606 e608 e614 e815 e825 e835 e840 x e845 x x x x 17 e865 x 18 Konformitätserklärung Sennheiser electronic GmbH & Co. KG erklären, dass dieses Gerät die anwendbaren CE-Normen und Vorschriften erfüllt. KG declare that this device is in compliance with the applicable CE standards and regulations. [. . . ] KG 30900 Wedemark, Germany Phone +49 (5130) 600 0 Fax +49 (5130) 600 300 www. sennheiser. com Printed in Germany Publ. [. . . ]